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Situating Peronism within the broad arc of twentieth-century Argentine cultural change, the contributors focus on the interplay of cultural traditions, official policies, commercial imperatives, and popular perceptions. They describe how the Perón regime's rhetoric and representations helped to produce new ideas of national and collective identity. At the same time, they show how Argentines pursued their interests through their engagement with the Peronist project, and, in so doing, pushed the regime in new directions. While the volume's emphasis is on the first Perón presidency, one contributor explores the origins of the regime and two others consider Peronism's transformations in subsequent years. The essays address topics including mass culture and melodrama, folk music, pageants, social respectability, architecture, and the intense emotional investment inspired by Peronism. They examine the experiences of women, indigenous groups, middle-class anti-Peronists, internal migrants, academics, and workers. By illuminating the connections between the state and popular consciousness, The New Cultural History of Peronism exposes the contradictions and ambivalences that have characterized Argentine populism.
Contributors: Anahi Ballent, Oscar Chamosa, María Damilakou, Eduardo Elena, Matthew B. Karush, Diana Lenton, Mirta Zaida Lobato, Natalia Milanesio, Mariano Ben Plotkin, César Seveso, Lizel Tornay
Author: Matthew B. Karush
ISBN-10: 0822347210
ISBN-13: 9780822347217
Publisher: Duke University Press
Language: English
Published: 05/21/2010
Pages: 320
Format: Hardcover
Weight: 1.30lbs
Size: 9.20h x 6.20w x 1.00d
Matthew B. Karush is Associate Professor of History and Director of Latin American Studies at George Mason University. He is the author of Workers or Citizens: Democracy and Identity in Rosario, Argentina, 1912-1930.
Oscar Chamosa is Assistant Professor of History at the University of Georgia.
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