The Philadelphia Orchestra: An Annotated Discography (Hardcover) (ISBN-13: 9781442239159)

The Philadelphia Orchestra is the most-recorded orchestra in the United States, and its recordings have contributed much to its reputation as "The World's Greatest Orchestra." In The Philadelphia Orchestra: An Annotated Discography, Richard A. Kaplan documents more than 2,000 commercial recordings made by the Philadelphia Orchestra over almost a century. The discography contains a chronological list of recordings, detailing works performed, conductors, soloists, dates, venues, producers, and matrix information for 78-rpm recordings. Each entry lists all issues of the recordings, including 78- and 45-rpm discs, long-playing records, and compact discs. The discography documents for the first time the recordings made by Columbia on sixteen-inch lacquer discs during the 1940s and '50s. Opening with an overview of the Orchestra's relationships with recording companies and the search for suitable recording venues, chapters cover anonymously and pseudonymously-published recordings, including those of the Robin Hood Dell Orchestra of Philadelphia, the experimental 1931-32 Bell Labs recordings, videos and movies in which the Philadelphia Orchestra performed, live recordings, and recordings of ensembles of the Philadelphia Orchestra. A separate chapter lists live-concert downloads made available directly through the Philadelphia Orchestra Association. Appendixes cross-reference the recordings by composer, conductor, and soloists; a final appendix lists the many Philadelphia Orchestra LP collections published by Columbia and RCA. This book is a valuable resource for collectors, scholars, and anyone interested in recording history and the history of the Philadelphia Orchestra.

Author: Richard A. Kaplan
ISBN-10: 1442239158
ISBN-13: 9781442239159
Publisher: Rowman & Littlefield Publishers
Language: English
Published: 01/16/2015
Pages: 538
Format: Hardcover
Weight: 2.10lbs
Size: 8.90h x 6.50w x 1.70d

About the Author
Richard A. Kaplan, a native of Philadelphia, served as associate professor of music theory at Louisiana State University and as a former orchestral clarinetist. He currently works as a freelance journalist and music critic for Fanfare Magazine.