The Poetics of Chinese Cinema by Bettinson, Gary

The Poetics of Chinese Cinema (Hardcover) (ISBN-13: 9781137566089)

Vendor: Gary Bettinson
Product type: Books
Format: Hardcover
$139.99
$139.99
$139.99
Subtotal: $139.99
The Poetics of Chinese Cinema by Bettinson, Gary

The Poetics of Chinese Cinema

$139.99
The Poetics of Chinese Cinema by Bettinson, Gary

The Poetics of Chinese Cinema

$139.99
Format: Hardcover
Description
Description
x

.1 Introduction: The Poetics of Chinese Cinema Gary Bettinson.-

.2 Five Lessons from Stealth Poetics David Bordwell.-

.3 Red Poetics: The Films of the Chinese Cultural Revolution Revolutionary Model Operas Chris Berry.-

.4 Renewal of Classical Painting Aesthetics Combined with a Contemplative Modernism in the Early Work of Chen Kaige Peter Rist.-

.5 Poetics of Two Springs: Fei Mu vs. Tian Zhuangzhuang James Udden.-

.6 Remaking Ozu: Hou Hsiao-hsien's Café Lumiere Emilie Yueh-yu Yeh.-

.7 Hong Kong Puzzle Films: The Persistence of Tradition Gary Bettinson.-

.8 Can Poetics Break Bricks? Song Hwee Lim.-

.9 Poetics of Parapraxis and Reeducation: The Hong Kong Cantonese Cinema in the 1950s Victor Fan.-

.10 China as Documentary: Some Basic Questions (Inspired by Michelangelo Antonioni and Jia Zhangke) Rey Chow.



Author: Gary Bettinson
ISBN-10: 1137566086
ISBN-13: 9781137566089
Publisher: Palgrave MacMillan
Language: English
Published: 10/28/2016
Pages: 227
Format: Hardcover
Weight: 0.93lbs
Size: 8.75h x 6.14w x 0.74d
By Gary Bettinson
By Gary Bettinson
x

Gary Bettinson is Senior Lecturer in Film Studies at Lancaster University, UK and author of The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press), and chief editor of Asian Cinema journal.

James Udden is Associate Professor of Cinema and Media Studies at Gettysburg College, USA. He has published extensively on Asian cinema including the book-length monograph, No Man an Island: The Cinema of Hou Hsiao-hsien (Hong Kong University Press). His current book project concerns the improbable, parallel rise of Taiwan and Iran in the international festival world starting in the mid-1980s.

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