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The human project is once more immense: taming nature, securing peace, creating order. The protagonists are fabulous, easily the equals of ancient gods and heroes. In the first fable, Chinese Whispers, we try to subdue and measure nature - though led astray through sex and murder. In Funny Little Fellows, we are spies and cleansers, the figures in an epic with a suspect leader. Our histories repeat themselves, and the shapeshifted waft the epic into myth. We are explorers, finding new frontiers, but never settlement.
The Bright Stars are the gang that founds a state and provide a founding myth. We are their accomplices, artists and managers in their theatrical world. Actors and actresses mingle with inventors, warriors and demigods. Where the first two fables give us a cosmology, The Bright Stars are epic and creative, giving sense and order to this new world, its search for rules, purpose, security and punishment.
The Red Tank is the founding blood myth, a solution true to our nature, resolving uncertainties remaining from the previous fables. We recognise the red tank as it circles us and fires. Our aspirations, fears and ambitions, remain, their mysteries familiar and comforting. The species sees where it has come from and where it has now settled - the cosmos is filled again.
'The Red Tank once again displays the seriousness and sheer brilliance of Fraser's conceptual aims and the dazzling invention of his linguistic fantasy.' Rouben Kodesh
Author: John Fraser
ISBN-10: 1494892588
ISBN-13: 9781494892586
Publisher: Createspace Independent Publishing Platform
Language: English
Published: 01/01/2014
Pages: 220
Format: Paperback
Weight: 0.63lbs
Size: 8.50h x 5.50w x 0.50d
Fraser's work is conceived on a heroic scale in terms both of its ideas and its situational metaphors. If he were to be filmed, it would need the combined talents of a Bunuel, a Gilliam, a Cameron. Like Thomas Pynchon, whom in some ways he resembles, Fraser is a deep and serious fantasist, wildly inventive. The reader rides as on a switchback or luge of impetuous attention, with effects flashing by at virtuoso speeds. The characters seem to be unwitting agents of chaos, however much wise reflection the author bestows upon them. They move with shrugging self-assurance through circumstances as richly-detailed and as without reliable compass-points as a Chinese scroll.
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