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In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films.
Jeremy Barham is Professor of Music at the University of Surrey, where he is also Director of the Institute of Austrian and German Music Research. He researches screen music, the music and culture of Gustav Mahler, and jazz. He was supported by the British Academy and DAAD in an archival investigation into the music of early German sound film, from which this edited volume grew. In screen music, he has published on experimental film, pre-existent music, the sci-fi genre, the aesthetics of live-score screenings, and jazz in film.
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