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This monograph is a study of the artistic production that formed part of the various lists of the Seven Wonders that lasted beyond Antiquity and were recovered during the Renaissance and Baroque periods. The study focuses in depth on the way they were evoked in modern artistic culture and the importance they had at European courts, linked to monarchs and princes as an image of power.
Inmaculada Rodr刕uez-Moya is Assistant Professor in the University Jaume I, Spain. Her research has followed four lines of investigation: Iconography of Power, Colonial Art, Emblem Studies and Urbanism History. That research has been published in the form of two peer-reviewed and awarded monographs: La Mirada del virrey (2003) and El retrato del poder en M騙ico, 1781-1867 (2006), seven co-authored monographs, including Himeneo en la corte (2013), along with edited volumes, articles and contributions.
V兤tor M匤guez is Full Professor in the University Jaume I, Spain. His research has followed three main lines of investigation: Images of Power, Emblematic Art and Latin American Art. His main research monographs are: Los reyes distantes (1995), Los reyes solares (2001) and La invenci de Carlos II (2013); and, with Inmaculada Rodr刕uez-Moya, Himeneo en la Corte (2013) and Napole y el espejo de la Antig?dad (2014).Thanks for subscribing!
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