The Use of Asian Theatre for Modern Western Theatre: The Displaced Mirror by Tian, Min

The Use of Asian Theatre for Modern Western Theatre: The Displaced Mirror (Paperback) (ISBN-13: 9783030403676)

Vendor: Min Tian
Product type: Books
Format: Paperback
$99.99
$99.99
$99.99
Subtotal: $99.99
The Use of Asian Theatre for Modern Western Theatre: The Displaced Mirror by Tian, Min

The Use of Asian Theatre for Modern Western Theatre: The Displaced Mirror

$99.99
The Use of Asian Theatre for Modern Western Theatre: The Displaced Mirror by Tian, Min

The Use of Asian Theatre for Modern Western Theatre: The Displaced Mirror

$99.99
Format: Paperback
Description
Description
x
Chapter 1. Lugné-Poe's Orientalism as Part of his Mission as an International Dramatic Prospector.- Chapter 2. Appia's and Craig's Views of the Japanese Theatre.- Chapter 3. The Use of the Noh by Jacques Copeau and Suzzane Bing.- Chapter 4. Theatre of Transposition: Charles Dullin and the East Asian Theatre.- Chapter 5. Authenticity and Usability, or "Welding the Unweldable" Meyerhold's Refraction of the Japanese Theatre.- Chapter 6. How Does the Billy-Goat Produce Milk? Sergei Eisenstein's Disintegration and Reconstitution of Kabuki Theatre.- Chapter 7. "The 'Asiatic' Model" The Brechtian Displacement and Refunctioning of the Japanese Theatre.- Conclusion.

Author: Min Tian
ISBN-10: 303040367X
ISBN-13: 9783030403676
Publisher: Palgrave MacMillan
Language: English
Published: 12/24/2019
Pages: 313
Format: Paperback
Weight: 0.85lbs
Size: 8.27h x 5.83w x 0.68d
By Min Tian
By Min Tian
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Min Tian holds his second PhD in Theatre History from the University of Illinois at Urbana-Champaign, USA, having secured his first PhD from the Central Academy of Drama in Beijing, China. He has taught as Associate Professor at the Central Academy of Drama and currently works at the University of Iowa, USA. He is the author of Mei Lanfang and the Twentieth-Century International Stage: Chinese Theatre Placed and Displaced (2012), The Poetics of Difference and Displacement: Twentieth-Century Chinese-Western Intercultural Theatre (2008), Shakespeare and Modern Drama: From Henrik Ibsen to Heiner Müller (2006), and editor of China's Greatest Operatic Male Actor of Female Roles: Documenting the Life and Art of Mei Lanfang, 1894-1961 (2010).

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