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Tranimacies is a neologism that pushes and pulls together transness and animality so as to better germinate unruly, wily, perverse relationships between them, and their spawn. Through tranimacies the book aims at rethinking the linking of liberation struggles amongst former colonized peoples and lands, minoritized genders and sexualities, racially marked persons and non-human animals, and does so in a variety of geopolitical and temporal sites. This rich compendium includes original scholarship and dialogues as well as poetry, comix, bioart, and performance documentation.
The composite term of tranimacies enmeshes several everyday and scholarly concepts: transgender, animal, animacy, intimacies. This edited volume's bundle of theoretical and artistic works insists on the beating heart of embodied experiences and political pulses at the core of these concepts. The authors show that tranimacies are spread throughout what Mel Y. Chen describes as the "animacy hierarchies" that delimit zones of possibility and agency, confounding the vertical order with transversal movements. As an intervention into the burgeoning debates within and across trans, animal, critical race, and posthuman studies this publication seeks to destabilize the logic of "turns" in critical theory, and through sticky intimacies uncover how animality, race, and gender underscore the humanist production of meanings. By taking a decolonial approach (in the main, but not exclusively) the authors hope to shift debates in animal studies towards accounting for and delinking from colonial mentalities. Three poems interweave our selection of chapters, which together forge three lines of inquiry defined by a certain ethos: transhistories of the present, lessons from the bestiary, and #animatingephemera.
The chapters in this book were originally published as a special issue of Angelaki.
Eliza Steinbock, Assistant Professor Cultural Analysis, Leiden University, Netherlands. Author of Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change (Duke, 2019), co-editor of Art and Activism in the Age of Systemic Crisis: Aesthetic Resilience (Routledge, 2020), project-leader of "The Critical Visitor" consortium, developing intersectional approaches for inclusive heritage (2020-2025).
Marianna Szczygielska, Postdoctoral Fellow, Max Planck Institute for the History of Science, Germany. Author of scholarly publications on the history of zoos, human-animal relations and queer studies, and feminist activism, co-editor of "Plantarium: Human-Vegetal Ecologies" special issue for Catalyst: Feminism, Theory, and Technoscience, (2019).
Anthony Clair Wagner, Senior Lecturer Design, Linnaeus University, Sweden. Author of several articles on trans, monstrosity and art, for example "Visible Monstrosity as Empowerment," in Transgender Studies Quarterly 2.2. Workshop leader of the Monster Workshop and artist.
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Most authentic book compilation on the Oregon Trail I ever read. The way the diaries are brought to life from over 170 years ago is a remarkable achievement. Top book of year so far for me for today June 01, 2024 review Candice
This author is a breathe of fresh air in a world of lies and coverups. He brings ancient writings and new science to bring light to mankind. In this amazing work, the well known plato stories from antiquity are now put alongside this new discovery of tablets from beginning of time. This is the most complete explanation of Atlantis every brought to the public. Shame on the governments of Egypt and the world for hiding WHO BUILT THE PHYRAMIDS OF GIZA AND THE SPHINX. Once I read this book I knew why they hid this knowledge. They don't want a population to know how great the world used to be compared to know.
Randomly stumbled upon this book and I am shocked that I haven’t heard about it before. It’s hands down the best story I’ve read in years. People need to read this book. It needs to be turned into a book. This story is just plain awsome. M
This soulful book of personal poetry brought me into the past and into the present---and into my heart.
Read the first book and this 2nd one did not disappoint! Loved every chapter. More please!