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This interdisciplinary study offers the first-ever analytical survey of experimental turntablism, highlighting the various ways in which turntables and records have been the starting point for sound experiments.
Record players and records have been the starting point for a multitude of sound experiments - beginning with the use of mechanical phonographic devices and later in the appropriation of destroyed and broken media technologies and objects. Then as now, the materiality of the sound-reproduction medium has consistently guided sonic research. The record player itself forms the key concept within which each artist unfolds an intricate dialogue between mediality and materiality. Sonic and material features become intertwined in inseparable alliances, live generated and pre-recorded sounds develop dynamic relationships. Not only is the phonographic medium repurposed as an instrument, it moreover serves as a multipurpose and rich tool set for composition, improvisation and conceptualisation, in both sonic and performative dimensions.
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