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The Western has traditionally offered American film directors a rich canvas to express visions of the American past. This volume revisits the Western in a transnational context, exploring the role of auteurism. Stars like Jimmy Stewart and international films like Aferim! and Inglourious Basterds are analysed in this new approach to the genre.
Emma Hamilton is a Lecturer in History in the English Language and Foundation Studies Centre at the University of Newcastle, Australia. Her first monograph, Masculinities in American Western Films: A Hyper-Linear History, was published in 2016. Her research interests include representation studies, especially film and history; gender, sexuality, age and race across time and place; and modern American and Australian histories.
Alistair Rolls is Associate Professor of French Studies at the University of Newcastle, Australia. His research focuses on the work of Boris Vian and French and Anglo-American crime fiction. He is the author of The Flight of the Angels: Intertextuality in Four Novels by Boris Vian (1999), French and American Noir: Dark Crossings, with Deborah Walker (2009), and Paris and the Fetish: Primal Crime Scenes (2014).
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