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Modern Brazilian architecture through the lens of contemporary discourses on plants, public space and windows
German photographer Veronika Kellndorfer (born 1962) studies Brazilian modernism through the pictorial significance of windows. Titled after Claude Lévi-Strauss' The Savage Mind, this book interposes her photographs of architecture and public spaces with the designs of Lina Bo Bardi and Roberto Burle Marx.
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Take 20% off your first order
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