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Proposes a new defintion of camp as detached attachment to account for the strategy's unique combination of critical distance and affective involvement
Investigates the uses of camp in popular culture as a form of parodic intervention by womenKatrin Horn is a postdoctoral fellow in American Studies at FAU Erlangen-Nürnberg, Germany. She is co-editor of Stimme, Kultur, Identität (2015) and author of several articles on US American popular music and television.
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