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Polish film has long enjoyed an outstanding reputation but its best known protagonists tend to be male. This book points to the important role of women as key characters in Polish films, such as the enduring female figure in Polish culture, the "Polish Mother," female characters in socialist realistic cinema, women depicted in the films of the Polish School, Solidarity heroines, and women in the films from the postcommunist period. Not less important for the success of Polish cinema are Polish women filmmakers, four of whom are presented in this volume: Wanda Jakubowska, Agnieszka Holland, Barbara Sass and Dorota Kędzierzawska, whose work is examined.
Elzbieta Ostrowska currently teaches film at the University of Alberta (Canada). Publications include, The Cinema of Andrzej Wajda. The Art of Irony and Defiance (co-ed. with John Orr, Wallflower 2003), Gender-Film-Media (co-ed. with Elzbieta Oleksy, Rabid 2001), Gender w kinie europejskim i mediach (ed., Rabid 2001) Przestrzen filmowa (Rabid 2000), Gender in Film and the Media. East-West Dialogues (co-ed. with Elzbieta Oleksy, Michael Stevenson, Peter Lang 2000), Kino ma sto lat (co-ed. with Jan Rek, Wydawnictwo Uniwersytetu L?dzkiego 1998).
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